{"id":4250,"date":"2023-02-22T16:45:17","date_gmt":"2023-02-22T08:45:17","guid":{"rendered":"https:\/\/acas.world\/?p=4250"},"modified":"2023-02-22T21:38:48","modified_gmt":"2023-02-22T13:38:48","slug":"zoom-talk-the-sublime-figure-of-inanimation-by-daisy-yan-du-330-5pm-thur-feb-23-2023-hong-kong-time","status":"publish","type":"post","link":"https:\/\/acas.world\/zh\/2023\/02\/22\/zoom-talk-the-sublime-figure-of-inanimation-by-daisy-yan-du-330-5pm-thur-feb-23-2023-hong-kong-time\/","title":{"rendered":"Zoom Talk: The Sublime Figure of (In)Animation, by Daisy Yan Du, 3:30-5pm, Thur, Feb 23, 2023, Hong Kong time"},"content":{"rendered":"

Topic: <\/strong>The Sublime Figure of (In)animation<\/p>\n

Abstract:<\/strong>
\nAnimation has long been defined and analyzed as an art of movement. Drawing attention to the fluid movement of outlines in animated cartoon characters, Sergei Eisenstein proposes the concept of \u201cplasmaticness,\u201d which refers to the stretching, elongating, inflating, deflating, transforming, and deforming of bodily forms. Following this train of thought, we can see how Monkey, the main character of the epic Chinese classical novel Journey to the West, has become a defining figure of Chinese animation because Monkey embodies the animation principles of movement and plasmaticness due to its kinetic movements and fluid shapeshifting. If Monkey represents animation\u2019s fundamental principles of motion and movement, who represents inertia, stasis, inanimation, de-animation, and even resistance against animation? If \u201cthe medium is the message,\u201d what does it mean to use animation to animate or not animate someone or something? This paper addresses these questions by examining what I call the sublime figures of (in)animation, such as Tripitaka, Jade Emperor, Mao, and Stalin, who are often represented as static images or icons with the \u201cportrait take\u201d and resist being animated. The sublime figures of (in)animation are unanimatable, because to be animated means to be depowered. Their charismatic power and political agency increase with their decreased physical movements and emotions through image building. In other words, their political aura decreases when their aesthetic value as a figure of animation increases.<\/p>\n

Time:<\/strong> 3:30-5pm, Thur, Feb 23, 2023, Hong Kong time
\nZoom ID Number:<\/strong> 993 0061 2434
\nPasscode:<\/strong> 152912<\/p>\n

For details:<\/strong> https:\/\/www.polyu.edu.hk\/cc\/news-and-events\/events\/2023\/2\/23\/<\/a><\/p>\n\r\n\t\t