Panel 14: 9:00am-11:40am, April 27 (Tuesday, Hong Kong time), Chinese Animation and Live Action, chaired by Jason McGrath, University of Minnesota, USA

Panel 14: 9:00am-11:40am, April 27 (Tuesday, Hong Kong time), Chinese Animation and Live Action, chaired by Jason McGrath, University of Minnesota, USA “From Animation to Martial Arts: Toward the Transcendence of False Movements,” Jinying Li , Brown University, USA “The Promise of Flying: Flash Animation in Jia Zhangke’s The World,” Wendy Larson , University of Oregon, USA “Interacting with … Continue reading Panel 14: 9:00am-11:40am, April 27 (Tuesday, Hong Kong time), Chinese Animation and Live Action, chaired by Jason McGrath, University of Minnesota, USA

Panel 13: 9:00am-11:40am, April 26 (Monday, Hong Kong time), Animation and Cartoon in China, chaired by Christopher Rea, University of British Columbia, Canada 

Panel 13: 9:00am-11:40am, April 26 (Monday, Hong Kong time), Animation and Cartoon in China, chaired by Christopher Rea, University of British Columbia, Canada      “The Twinning of Chinese Animation and Cartooning,” John A. Lent , Temple University, USA “Hua Junwu’s Cartoons and the Unmaking of National-Style Animation,” Muyang Zhuang , Hong Kong University of Science and Technology, Hong … Continue reading Panel 13: 9:00am-11:40am, April 26 (Monday, Hong Kong time), Animation and Cartoon in China, chaired by Christopher Rea, University of British Columbia, Canada 

Panel 12: 9:00am-11:10am, April 20 (Tuesday, Hong Kong time), The Invention of Traditions in Chinese Animation, chaired by John Crespi, Colgate University, USA

Panel 12: 9:00am-11:10am, April 20 (Tuesday, Hong Kong time), The Invention of Traditions in Chinese Animation, chaired by John Crespi, Colgate University, USA “The Invention of Chinese Pictorial Space in Chinese Animation,” Yomi Braester , University of Washington-Seattle, USA “Queering an Icon, Becoming a Demon: A Preliminary Discussion of the 2019 White Snake Animation,” Liang Luo , University of … Continue reading Panel 12: 9:00am-11:10am, April 20 (Tuesday, Hong Kong time), The Invention of Traditions in Chinese Animation, chaired by John Crespi, Colgate University, USA

Panel 11:  9:00am-12:30pm, April 19 (Monday, Hong Kong time), Film Screening and Animators’ Perspectives (in Chinese and English): chaired by Daisy Yan Du, Hong Kong University of Science and Technology, Hong Kong SAR

Panel 11:  9:00am-12:30pm, April 19 (Monday, Hong Kong time), Film Screening and Animators’ Perspectives (in Chinese and English): chaired by Daisy Yan Du, Hong Kong University of Science and Technology, Hong Kong SAR Premier of Red Squirrel Mai (CGI ink-painting animated feature film, 2020) “From Pleasant Goat to Red Squirrel Mai: On Creative Animation Industry in Contemporary China,” Lo … Continue reading Panel 11:  9:00am-12:30pm, April 19 (Monday, Hong Kong time), Film Screening and Animators’ Perspectives (in Chinese and English): chaired by Daisy Yan Du, Hong Kong University of Science and Technology, Hong Kong SAR

Panel 10: 9:00am-11:40am, April 13 (Tuesday, Hong Kong time), Digitality, CGI, and VR Animation in China, chaired by Yomi Braester, University of Washington, Seattle, USA

Panel 10: 9:00am-11:40am, April 13 (Tuesday, Hong Kong time), Digitality, CGI, and VR Animation in China, chaired by Yomi Braester, University of Washington, Seattle, USA    “Chimeric Animation,” Yiman Wang , University of California, Santa Cruz, USA “Digital Animation and CGI in Twenty-first Century Chinese Prescriptive Realism,” Jason McGrath , University of Minnesota, Twin Cities, USA “CGI Ink-Painting Animation … Continue reading Panel 10: 9:00am-11:40am, April 13 (Tuesday, Hong Kong time), Digitality, CGI, and VR Animation in China, chaired by Yomi Braester, University of Washington, Seattle, USA

Panel 9: 9:00am-11:40am, April 12 (Monday, Hong Kong time), Theorizing Chinese Animation and the World, chaired by Alex Zahlten, Harvard University, USA

Panel 9: 9:00am-11:40am, April 12 (Monday, Hong Kong time), Theorizing Chinese Animation and the World, chaired by Alex Zahlten, Harvard University, USA “Beyond the Great Divide: Asian Animation and the Future of Animation Studies,” Mitsuhiro Yoshimoto , Waseda University, Japan “On the Value of Anime Studies for Chinese Animation Studies,” Marc Steinberg , Concordia University, Canada  “Suspended Animation,” Daisy Yan … Continue reading Panel 9: 9:00am-11:40am, April 12 (Monday, Hong Kong time), Theorizing Chinese Animation and the World, chaired by Alex Zahlten, Harvard University, USA