ACAS

国際中国語アニメーション研究協会

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      • Hong Kong Animation, Zoom Webinar, May 12-14, 2022
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会議

Expresii and the Future of Ink-painting Animation

7月 9, 2022Inaugural Conference 2020, Interviews

By Isabel Galwey Some of the most famous animations of the socialist period in Mainland China were made using … 続きを読む Expresii and the Future of Ink-painting Animation →

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Trailer: Animators’ Roundtable Forum: Hong Kong Animation, May 12-14, 2022

6月 13, 2022Hong Kong Animation, Zoom Webinar, May 12-14, 2022, Trailer

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The Exploration of Original Animation in China: From Pleasant Goat to Red Squirrel Mai

6月 8, 2022Inaugural Conference 2020, Speeches

By Lo Wing Keung; translated by Yixing Li Greetings. I am honored to share my work experience with all of you. … 続きを読む The Exploration of Original Animation in China: From Pleasant Goat to Red Squirrel Mai →

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Group Photo: Animators’ Roundtable Forum: Hong Kong Animation, May 12-14, 2022

5月 27, 2022Hong Kong Animation, Zoom Webinar, May 12-14, 2022, Photos

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Animators’ Roundtable Forum: Hong Kong Animation, Zoom Webinar, May 12-14, 2022

4月 21, 2022Description and Program, Hong Kong Animation, Zoom Webinar, May 12-14, 2022

The history of Hong Kong animation has always been translocal and transnational. It can be traced back to at l … 続きを読む Animators’ Roundtable Forum: Hong Kong Animation, Zoom Webinar, May 12-14, 2022 →

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Report on the Inaugural Conference of the Association for Chinese Animation Studies

9月 6, 2021国際中国語アニメーション研究協会, 会議, 学者, Inaugural Conference 2020, Reports

By Shasha Liu From March 1st to May 12th, 2021, I participated in the Inaugural Conference of the Association … 続きを読む Report on the Inaugural Conference of the Association for Chinese Animation Studies →

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Welcome Speech 2

8月 23, 2021Inaugural Conference 2020, Welcome Speeches

By Andrew G. Cohen, Director of HKUST Jockey Club Institute for Advanced Study, HKUST Good morning or per … 続きを読む Welcome Speech 2 →

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Welcome Speech 1

8月 23, 2021Inaugural Conference 2020, Welcome Speeches

By Kellee Tsai, Dean of Humanities and Social Science, HKUST Good morning everyone, I am Kellee Tsai … 続きを読む Welcome Speech 1 →

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Closing Remarks

8月 23, 2021Inaugural Conference 2020, Opening and Closing Remarks

By Daisy Yan Du We have been running the Inaugural Conference of the Association for Chinese Animation Studies … 続きを読む Closing Remarks →

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Opening Remarks

8月 23, 2021Inaugural Conference 2020, Opening and Closing Remarks

By Daisy Yan Du Hello, everyone. Welcome to the inaugural Conference of the Association for Chinese Animation … 続きを読む Opening Remarks →

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投稿ナビゲーション

← 古い投稿

最近の文章

  • Event: Ink-painting Animation & Dance, February 8, 2023, 20:00-21:45, MGM Cotai Theatre, Macao
  • Reconstructing Media Specificity: A Review of One Night in the Art Gallery
  • The Evolution of Early Chinese Animation Teaching Materials
  • Senior Animator Yan Dingxian Passed Away on December 26, 2022
  • The New Generation in Chinese Animation, by Shaopeng Chen. Bloomsbury Academic, 2021. 304 pp.
  • The History of Chinese Animation (volume 1), edited by Sun Lijun. Routledge, 2022. 326pp.
  • What is Lost Moving from “Shanzhai” to Global: On the Video Game Genshin Impact (2020)
  • Tenure-track Position in East Asian Film and Media Studies, HKUST, 2022-2023
  • The Propagandist’s Palette: The Art of Manhua Magazine (1950-1960)
  • The Artisanal Sensorial, or Lei Lei’s Geometrical Regime of Animated Images
  • A Brief History of Ink-painting Animation in Hong Kong
  • Expresii and the Future of Ink-painting Animation
  • Trailer: Animators’ Roundtable Forum: Hong Kong Animation, May 12-14, 2022
  • The Exploration of Original Animation in China: From Pleasant Goat to Red Squirrel Mai
  • Group Photo: Animators’ Roundtable Forum: Hong Kong Animation, May 12-14, 2022
  • Animators’ Roundtable Forum: Hong Kong Animation, Zoom Webinar, May 12-14, 2022
  • The Father on the Moon (Yueqiu shang de fuqin), by Hu Xiaojiang. Guangzhou: Huacheng, 2021.
  • Email Notifications from the New ACAS Website
  • New Frontier of Digital Media and Entertainment: Exploring Entrepreneurship in the Chinese Digital Game Industry, Ph.D. Dissertation, by Gejun Huang, University of Texas at Austin, 2020. 179 pp.
  • The Nondescript: Hybridization in the Animated Feature Film The Legend of Deification (2020)

写真ギャラリー

 Princess Iron-Fan (1941)
Little Kitty Goes Fishing (1952)
Little Tadpoles Looking for Mama (1960)
Uproar in Heaven (1961)
Heroic Little Sisters of the Grassland (1964)
Three Monks (1981)
Feelings of Mountains and Waters (1988)
Piercing 1 (2010)
My Life as McDull (2001)
Grandma And Her Ghosts (1998)

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Association for Chinese Animation Studies Managed and Operated by Daisy Yan Du Email: daisyyandu@ust.hk