By Ying Zhu With a world-wide box-office of US$2,259,822,417, Ne Zha 2 (Yu Yang, 2025), a story about the myth … 続きを読む Ne Zha 2 and the Good China Story →

By Thomas William Whyke, Zhennuo Song,  Zhaoyu Zhu, and Yibo Fan  Jiao Zi’s Nezha 2 (2025) rep … 続きを読む Redefining Chinese Animation: A Review of Nezha 2 (2025) →

By Mihaela Mihailova Since its US release in February 2025, the Chinese computer-generated feature Ne Zha 2 (Y … 続きを読む Spectacular Digital Maximalism: Some Thoughts on Ne Zha 2 (2025) →

By Shaopeng Chen Historically speaking, Chinese animated films have always targeted children and ignored their … 続きを読む Adults as Audience: A Review of The Guardian →

By Rebecca Liptay and Shannon Brownlee Feelings of Mountains and Rivers (Shanshui qing, Te Wei, 1988)[1]& … 続きを読む Feelings of Mountains and Rivers: Minimalism and Monumentalism in Motion →

By Olga Bobrowska “Look how nice it is to be Monkey King. No parents, no control. Just do as he will. And no s … 続きを読む The Ambiguous Superhero in Wan Laiming’s Havoc in Heaven →

By Shannon Brownlee California-based Pixar Animation Studio is not, at first glance, a likely producer of Chin … 続きを読む Chinese Diasporic Life: A Review of Bao →

By Lokyi Tsoi My Life As McDull is the first attempt to make a full-length animation film of the McDull s … 続きを読む The Question of Hong Kong Identity in My Life As McDull →