ACAS

国際中国語アニメーション研究協会

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      • Hong Kong Animation, Zoom Webinar, May 12-14, 2022
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批評

The Nondescript: Hybridization in the Animated Feature Film The Legend of Deification (2020)

1月 17, 2022国際中国語アニメーション研究協会, アニメ映画, 批評

By Cui Zhou “The immortal’s saddle beast had the head of a unicorn, the tail of a wolf, and the body of a drag … 続きを読む The Nondescript: Hybridization in the Animated Feature Film The Legend of Deification (2020) →

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Adults as Audience: A Review of The Guardian

9月 15, 2020批評

By Shaopeng Chen Historically speaking, Chinese animated films have always targeted children and ignored their … 続きを読む Adults as Audience: A Review of The Guardian →

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Feelings of Mountains and Rivers: Minimalism and Monumentalism in Motion

8月 12, 2020批評

By Rebecca Liptay and Shannon Brownlee Feelings of Mountains and Rivers (Shanshui qing, Te Wei, 1988)[1]& … 続きを読む Feelings of Mountains and Rivers: Minimalism and Monumentalism in Motion →

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The Ambiguous Superhero in Wan Laiming’s Havoc in Heaven

6月 29, 2020批評

By Olga Bobrowska “Look how nice it is to be Monkey King. No parents, no control. Just do as he will. And no s … 続きを読む The Ambiguous Superhero in Wan Laiming’s Havoc in Heaven →

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Chinese Diasporic Life: A Review of Bao

5月 10, 2020批評

By Shannon Brownlee California-based Pixar Animation Studio is not, at first glance, a likely producer of Chin … 続きを読む Chinese Diasporic Life: A Review of Bao →

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The Question of Hong Kong Identity in My Life As McDull

5月 9, 2020批評

By Lokyi Tsoi My Life As McDull is the first attempt to make a full-length animation film of the McDull s … 続きを読む The Question of Hong Kong Identity in My Life As McDull →

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Visual Effects and the Enchanted Technique of Elements: A Review of Ne Zha

3月 24, 2020批評

By Hang Wu Animation renders visible the nonhuman energy that is otherwise hidden. The visualization of this n … 続きを読む Visual Effects and the Enchanted Technique of Elements: A Review of Ne Zha →

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Next Gen: Out-of-control “Prototype Memory” in a Futuristic Machine City

3月 11, 2020批評

By Maggie Chunning Guo The animated film Next Gen, released in 2019, presents a series of dualisms, such as st … 続きを読む Next Gen: Out-of-control “Prototype Memory” in a Futuristic Machine City →

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Transborder Fairy Tales: Princess Iron Fan and the Discourse of Children

2月 10, 2020アニメ映画, 批評

By Ying Chen Princess Iron Fanis the first Chinese animated feature film produced by the Wan Brothers at Xinhu … 続きを読む Transborder Fairy Tales: Princess Iron Fan and the Discourse of Children →

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“Our Comrade Sun Wukong”: On Fantasy and Exaggeration in Mountain of Flames

10月 4, 2019国際中国語アニメーション研究協会, 批評

By Linda C. Zhang In 1958, the Shanghai Animation Film Studio released a 35-minute, color, stop-motion puppet … 続きを読む “Our Comrade Sun Wukong”: On Fantasy and Exaggeration in Mountain of Flames →

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投稿ナビゲーション

← 古い投稿

最近の文章

  • Trailer: Animators’ Roundtable Forum: Hong Kong Animation, May 12-14, 2022
  • The Exploration of Original Animation in China: From Pleasant Goat to Red Squirrel Mai
  • Group Photo: Animators’ Roundtable Forum: Hong Kong Animation, May 12-14, 2022
  • Animators’ Roundtable Forum: Hong Kong Animation, Zoom Webinar, May 12-14, 2022
  • The Father on the Moon (Yueqiu shang de fuqin), by Hu Xiaojiang. Guangzhou: Huacheng, 2021.
  • Email Notifications from the New ACAS Website
  • New Frontier of Digital Media and Entertainment: Exploring Entrepreneurship in the Chinese Digital Game Industry, Ph.D. Dissertation, by Gejun Huang, University of Texas at Austin, 2020. 179 pp.
  • The Nondescript: Hybridization in the Animated Feature Film The Legend of Deification (2020)
  • Chinese Animation and Socialism: From Animators’ Perspectives, edited by Daisy Yan Du. Brill, 2022. 287 pp.
  • Bell Boy: Cartoonists and Animated Filmmaking in Southern China, 1940–1949
  • Early Chinese Animation
  • Animation and the Republican Chinese Film Industry
  • Report on the Inaugural Conference of the Association for Chinese Animation Studies
  • Journey to the Best: A Journey through Law and Policy for a Flourishing Chinese Animation Industry
  • Welcome Speech 2
  • Welcome Speech 1
  • Closing Remarks
  • Opening Remarks
  • Manhua as Magazine: The Case of Shanghai Sketch no. 10
  • Trailer: Animators’ Roundtable Forum: Chinese Animation and (Post)Socialism, April 27-28, 2017

写真ギャラリー

 Princess Iron-Fan (1941)
Little Kitty Goes Fishing (1952)
Little Tadpoles Looking for Mama (1960)
Uproar in Heaven (1961)
Heroic Little Sisters of the Grassland (1964)
Three Monks (1981)
Feelings of Mountains and Waters (1988)
Piercing 1 (2010)
My Life as McDull (2001)
Grandma And Her Ghosts (1998)

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Association for Chinese Animation Studies Managed and Operated by Daisy Yan Du Email: daisyyandu@ust.hk