By Chen Hailu; translated by Yixing Li The Shanghai Animation Film Studio only made four analog ink-painting a … 続きを読む Goral Flying: The First CGI Ink-painting Animated Feature Film in China
By Jinying Li In the first two decades of the 21st century, we witnessed a widespread cultural movement of gee … 続きを読む Anime’s Knowledge Cultures: From Astro Boy to China’s Zhai Generation
By John A. Crespi The Hundred Flowers Movement, launched in May 1956 and culminating in Mao Zedong’s call to c … 続きを読む A Parting Shot: Liao Bingxiong’s “Slippery Poem-Pictures” and the 1957 Rectification Movement
By Yanyun Chen Her gilded brownness is infinite. Who is her body? &n … 続きを読む Animating Gold: The Works of Priyageetha Dia
By Cassandra Xin Guan In the opening sequence of The Taking of Tiger Mountain (Zhiqu Weihushan 智取威虎山 201 … 続きを読む What Happens to the Index in Animation? The Case of The Taking of Tiger Mountain
By Jingyi Zhang The beginning of the millennium was important for Chinese animation. It not only began the rej … 続きを読む Is There a Chinese New Wave in Animation? An Examination of Student Animation in China
By Qiu Liwei; translated by Yixing Li This essay reviews the evolution of Taiwan animation, from the golden ag … 続きを読む Taiwan Animation: From Subcontractor to Creator
By Yomi Braester In this essay I hope to provoke scholars of animation into considering the role of time, both … 続きを読む Animation, the Obsolescence of the Image, and the Disappearance of Hong Kong Architecture
By Yang Zeyu; translated by Jessica Morris During the early stages of Chinese animation, teaching materials we … 続きを読む The Evolution of Early Chinese Animation Teaching Materials
By Yasheng She What does it take to transcend a national border to be globally recognized, and what are the re … 続きを読む What is Lost Moving from “Shanzhai” to Global: On the Video Game Genshin Impact (2020)