By Yomi Braester In this essay I hope to provoke scholars of animation into considering the role of time, both … 続きを読む Animation, the Obsolescence of the Image, and the Disappearance of Hong Kong Architecture
By Yang Zeyu; translated by Jessica Morris During the early stages of Chinese animation, teaching materials we … 続きを読む The Evolution of Early Chinese Animation Teaching Materials
By Yasheng She What does it take to transcend a national border to be globally recognized, and what are the re … 続きを読む What is Lost Moving from “Shanzhai” to Global: On the Video Game Genshin Impact (2020)
By Ann Y. Y. Leung The world-renowned style of Chinese ink-painting animation emerged in 1960 with the release … 続きを読む A Brief History of Ink-painting Animation in Hong Kong
By Muyang Zhuang In December 2020, an exhibition was held by the Guardian Art Center in Beijing to celebrate t … 続きを読む Bell Boy: Cartoonists and Animated Filmmaking in Southern China, 1940–1949
By Christopher Rea Animation appears throughout Chinese cinema of the Republican era (1912-1949). Historians h … 続きを読む Animation and the Republican Chinese Film Industry
By Adela Hurtado It was Fall 2016, and I was studying law for a semester in Shanghai at the East China Univers … 続きを読む Journey to the Best: A Journey through Law and Policy for a Flourishing Chinese Animation Industry
By John A. Crespi What exactly are manhua, otherwise known as Chinese “cartoons”? The word manhua is easy to t … 続きを読む Manhua as Magazine: The Case of Shanghai Sketch no. 10
By Li Guo In her recently published monograph Puppets, Gods, and Brands: Theorizing the Age of Animation from … 続きを読む Hauntological Aesthetics in Taiwanese Animation Feature Grandma and Her Ghosts (1998)
By Muyang Zhuang Manhua, a Chinese term that can be translated into English as cartoon or caricature, wa … 続きを読む A Literature Review on Manhua Studies