Failed Animation, Limited Theory: Feminist Reflections in a Transnational Context, lecture by Professor Karen Redrobe, 9:30-11am, Feb 7, 2024 (Wed, HK Time), Room 3301 & Zoom

Title: Failed Animation, Limited Theory: Feminist Reflections in a Transnational Context Speaker: Professor Karen Redrobe, Pennsylvania University, USA  Moderator: Professor Daisy Yan Du, Hong Kong University of Science and Technology, HK Format: 40-50 minutes’ lecture, followed by around 30 minutes’ Q & A  Time: 9:30-11am, Feb 7, 2024 (Wed, Hong Kong Time) Location: Room 3301 (Lifts … Continue reading Failed Animation, Limited Theory: Feminist Reflections in a Transnational Context, lecture by Professor Karen Redrobe, 9:30-11am, Feb 7, 2024 (Wed, HK Time), Room 3301 & Zoom

Animation, Collage, and the Afterlife of Images: Found Footage in/as Animation, online lecture by Professor Yomi Braester, 9:30-10:30am, May 10 (Wed, Hong Kong Time), Zoom

Title: Animation, Collage, and the Afterlife of Images: Found Footage in/as Animation Time: 9:30-10:30am, May 10 (Wed, Hong Kong Time), Zoom Speaker: Professor Yomi Braester, University of Washington in Seattle, USA  Moderator: Professor Paola Voci, University of Otago, New Zealand  Format: 40 minutes’ lecture, followed by 20 minutes’ Q & A  Abstract:  In this essay I … Continue reading Animation, Collage, and the Afterlife of Images: Found Footage in/as Animation, online lecture by Professor Yomi Braester, 9:30-10:30am, May 10 (Wed, Hong Kong Time), Zoom

The Nondescript: Hybridization in the Animated Feature Film The Legend of Deification (2020)

By Cui Zhou “The immortal’s saddle beast had the head of a unicorn, the tail of a wolf, and the body of a dragon.”[1] This passage describes a heavenly creature in ancient China—the nondescript “Four-Unalike” (sibuxiang), recorded in the canonized gods and demons fiction Creation of the Gods (Fengshen yanyi). In this novel, the nondescript … Continue reading The Nondescript: Hybridization in the Animated Feature Film The Legend of Deification (2020)

Report on the Inaugural Conference of the Association for Chinese Animation Studies

By Shasha Liu From March 1st to May 12th, 2021, I participated in the Inaugural Conference of the Association for Chinese Animation Studies (Zoom webinar), organized by Professor Daisy Yan Du at the Hong Kong University of Science and Technology (Fig 1). Especially my being a graduate student, the conference provided me with the unique … Continue reading Report on the Inaugural Conference of the Association for Chinese Animation Studies

Panel 12: 9:00am-11:10am, April 20 (Tuesday, Hong Kong time), The Invention of Traditions in Chinese Animation, chaired by John Crespi, Colgate University, USA

Panel 12: 9:00am-11:10am, April 20 (Tuesday, Hong Kong time), The Invention of Traditions in Chinese Animation, chaired by John Crespi, Colgate University, USA “The Invention of Chinese Pictorial Space in Chinese Animation,” Yomi Braester , University of Washington-Seattle, USA “Queering an Icon, Becoming a Demon: A Preliminary Discussion of the 2019 White Snake Animation,” Liang Luo , University of … Continue reading Panel 12: 9:00am-11:10am, April 20 (Tuesday, Hong Kong time), The Invention of Traditions in Chinese Animation, chaired by John Crespi, Colgate University, USA

Panel 11:  9:00am-12:30pm, April 19 (Monday, Hong Kong time), Film Screening and Animators’ Perspectives (in Chinese and English): chaired by Daisy Yan Du, Hong Kong University of Science and Technology, Hong Kong SAR

Panel 11:  9:00am-12:30pm, April 19 (Monday, Hong Kong time), Film Screening and Animators’ Perspectives (in Chinese and English): chaired by Daisy Yan Du, Hong Kong University of Science and Technology, Hong Kong SAR Premier of Red Squirrel Mai (CGI ink-painting animated feature film, 2020) “From Pleasant Goat to Red Squirrel Mai: On Creative Animation Industry in Contemporary China,” Lo … Continue reading Panel 11:  9:00am-12:30pm, April 19 (Monday, Hong Kong time), Film Screening and Animators’ Perspectives (in Chinese and English): chaired by Daisy Yan Du, Hong Kong University of Science and Technology, Hong Kong SAR

Panel 6: 9:00am-11:10am, March 16 (Tuesday, Hong Kong time), Independent Animation in China, chaired by Thomas Lamarre, University of Chicago, USA

Panel 6: 9:00am-11:10am, March 16 (Tuesday, Hong Kong time), Independent Animation in China, chaired by Thomas Lamarre, University of Chicago, USA “The Chinese Animateur 2.0: Playful Technologies and Magical Wonders,” Paola Voci , University of Otago, New Zealand   “Animating the Urban: Cities in 21st Century Chinese Independent Animation,” Isabel Galwey , Hong Kong University of Science and Technology, Hong … Continue reading Panel 6: 9:00am-11:10am, March 16 (Tuesday, Hong Kong time), Independent Animation in China, chaired by Thomas Lamarre, University of Chicago, USA

Panel 5: 9:00am-11:10am, March 15 (Monday, Hong Kong time), Legacy of the 1980s, chaired by Paola Voci, University of Otago, New Zealand

Panel 5: 9:00am-11:10am, March 15 (Monday, Hong Kong time), Legacy of the 1980s, chaired by Paola Voci, University of Otago, New Zealand “Motifs of Science and Technology in Chinese Animation during the Post-Mao Cultural Thaw,” Hua Li , Montana State University, USA  “Adapting Dunhuang in a Transitional Period: Negotiated Intermediality in The Deer of Nine Colors and … Continue reading Panel 5: 9:00am-11:10am, March 15 (Monday, Hong Kong time), Legacy of the 1980s, chaired by Paola Voci, University of Otago, New Zealand

Conference Program: The Inaugural Conference of the Association for Chinese Animation Studies, Zoom Webinar, March 1-May 12, 2021

Webinar Registration (In accordance with the Copyright Ordinance of Hong Kong, please do not photograph and/or video record the film screenings. Violation of copyright laws will result in legal action.)   Organizers:  Daisy Yan DU, Division of Humanities, Hong Kong University of Science and Technology, Hong Kong SAR Sponsors: School of Humanities and Social Science, Hong Kong University … Continue reading Conference Program: The Inaugural Conference of the Association for Chinese Animation Studies, Zoom Webinar, March 1-May 12, 2021

Narratological Analysis of Fellow Ants, Please Be Aware!

By Nick Stember Published in May 1980 by the Shanghai Fine Arts Press, Fellow Ants, Please Be Aware!is a 46 page long, full color lianhuanhua (linked pictures) with an initial print run of 400,000. While traditional narratological analysis (as exemplified by Vladimir Propp) is perhaps difficult to apply to this story given the distinct cultural … Continue reading Narratological Analysis of Fellow Ants, Please Be Aware!